Bandleader, educator, composer, and much in-demand sideman, Billy Drummond cut his teeth apprenticing with jazz greats including Horace Silver, Joe Henderson, Bobby Hutcherson, and Sonny Rollins (Billy was also part of the White House tribute to Sonny when he received the National Medal of the Arts in 2011), to become one of today’s most versatile drummers – equally at home in the avant garde as well as hard-swinging bop realms. His cult-followed album Dubai (with Chris Potter, Walt Weiskopf and Peter Washington), which was picked as the Number 1 Jazz Album of the Year by the New York Times when it was released, was recently dubbed one of the “50 Crucial Jazz Drumming Recordings of the Past 100 Years” by Modern Drummer magazine.
Thrilling, powerful and highly musical, Drummond’s playing, praised by Stanley Crouch as “having the kind of highly refined musical intelligence that Max Roach brought to drumming,” has made him one of the most called for players of his generation, with over 300 sideman albums to his credit. He has also made three as a bandleader, and five as a co-leader, including 2016’s We’ll Be Together Again (Chesky), in Three’s Company – a trio with Javon Jackson and legendary bassist, Ron Carter – which made many of the year’s Top Ten lists. Acclaimed by Downbeat as “one of the hippest bandleaders now at work,” Drummond is looking forward to recording with his New York band, Freedom of Ideas.
Born in Newport News, Virginia, where he grew up listening to his father’s extensive jazz record collection, Drummond was leading his own bands from the age of eight, and teaching adults from the age of just 14, before going on to study classical percussion at the Shenandoah Conservatory of Music. In the late 1980s, he was encouraged by Al Foster to move to New York, where he was almost immediately recruited to the young band Out of the Blue (OTB), recording Spiral Staircase for Blue Note Records. When OTB disbanded Billy joined Horace Silver’s Sextet, simultaneously starting life-long associations with Buster Williams and Bobby Hutcherson, and subsequently joining J J Johnson’s band, followed by a three-year stint touring with Sonny Rollins.
Since then, Drummond has performed and recorded with a veritable who’s who in jazz, including Horace Silver, Joe Henderson, Bobby Hutcherson, Buster Williams, Steve Kuhn, JJ Johnson, Sonny Rollins, Charles Tolliver, Nat Adderley, Charles McPherson, Eddie Henderson, James Moody, Sheila Jordan, Andrew Hill, Ron Carter, Carla Bley, Eddie Gomez, Larry Willis, Hank Jones, Freddie Hubbard, Lee Konitz, Stanley Cowell, Archie Shepp, Joe Lovano, Javon Jackson, Chris Potter, Eric Reed, Ralph Moore, Vincent Herring, Franco Ambrosetti (Italy), Karin Krog (Norway), Sadao Wantanabe (Japan), Toots Theilmans (Belgium), Barney Wilen (France), Laurent DeWilde (France), Jan Lundgren (Sweden), and Michel LeGrand (France).
Also a highly respected educator, juggling a busy touring schedule with his duties as Professor of Jazz Drums at the Juilliard School of Music and NYU in New York, and giving private lessons and workshops at home and abroad, Drummond has taught some of this generation’s best young drummers. “One of the things I love about teaching is having that one student who really gets it and to see yourself in them,” says Drummond. “I also learn so much about myself from teaching others, not just from a musician standpoint but who I am as a person.”
“I consider myself very fortunate to have come up playing with some of the innovators of jazz who, in many instances, helped shape the way this music is and will always be played,” says Drummond. “Priceless experience for a young person learning how to be a musician. They taught me how to be a professional – to know the material, to be on time and, most of all, to play from your heart.”
Eine Gruppe junger Menschen verbringt einen Tag zusammen als Strafe für nicht konformes Verhalten. Ein Stück über Zuschreibungen und die Rollen, die wir tagtäglich spielen – über die Vorstellungen davon, die man in sich trägt, was die anderen wohl über einen denken | Stückentwicklung von und mit: Patrick BIMAZUBUTE, Romain CLAVAREAU, Paul ENEV, Alina HAUSHAMMER, Fanny HOLZER, Carmen KIRSCHNER, Ioana NITULESCU, Nataya SAM, Mia WIEDERSTEIN | Regie: Ivna ŽIC | Bühnenbild/Kostüme: Albert GITSCHTHALER (Studierender Institut Bühnengestaltung) | Musik: Alexander Xidi CHRISTOF, Johanna SEITINGER (Studierende von Sandy LOPICIC) | Karten: Zentralkartenbüro/Abendkasse
Das Schnupper-Abonnement eröffnet mit vier charakteristischen Aufführungen aus dem Hauptabonnement die Möglichkeit für ein erstes Kennenlernen des Programms. Veranstaltungen, die zum Schnupper-Abonnement gehören, sind im Veranstaltungskalender der Website sowie im Abonnement-Folder mit SCH gekennzeichnet.
Das Stefaniensaal-Abo bietet den LiebhaberInnen des Stefaniensaals die Gelegenheit, alle Konzerte aus dem Hauptabonnement zu genießen, die im Ambiente dieses traditionsreichen Saales veranstaltet werden.